Ode to the Eddy Muffin

Ode to the Eddy Muffin II - Leah Wilson

Ode to the Eddy Muffin

Foam and duckweed in one of Julie’s research sites above the JC Boyle dam cover the surface of the water. Foam swirls and builds into pillows as it follows the many currents in the eddy. As a whitewater kayaker, we called the foam “eddy muffins.” I hadn’t known what the eddy muffins were or why they were found in some rivers but not others. The Klamath River is full of them, but the nearby Smith and Trinity Rivers do not have eddy muffins. It was a mystery.

Eddy muffins are a result of eutrophication which occurs in water with high nutrient levels. Scientists refer to the Klamath River as a productive river – a river that produces a large number of plants and algae. Eutrophication is naturally occurring, especially in productive rivers and warm shallow lakes like the Upper Klamath Lake, but it is also exacerbated by industrial wastewater and fertilizers and waste from farming and ranching practices. Eutrophication can severely decrease water oxygen levels, creating conditions that can kill fish and other aquatic animals.

This eddy full of foam and duckweed swirls upstream from where the JC Boyle dam once was on the Klamath River. There is a car submerged in it too. It is one of Dr. Alexander’s research sites. It’s my favorite one, not because it is the most beautiful, but because it is the most repulsive. Julie dives in it but I never wanted to touch the water. Over the years my revulsion transformed into fascination. I thought the foam was caused by pollution and poor water quality because of the dams and farms. Maybe some of it is. But it is also part of the river’s ecosystem. I’m curious about how it is now that the four dams below it are no longer there. Julie studies worms that are part of the lifecycle of a parasite that decimates salmon. I want to know if this eddy has lost some of its foam and its worms now that the dams are removed. If so, are the foam and worms connected?

One of the things that fascinated me is that I can start with something that repulses me, but the more deeply I look at it, the more interesting and beautiful it becomes. The foam is like a slowly moving low relief sculpture on the surface of the water. It reveals the patterns of movement and flow of the currents moving in opposing directions. The reflection of light and its accompanying shadows are sublime.

Ode to the Eddy Muffin: Eddy Muffin V, oil on linen, 14 x 16 in., 2025, Leah Wilson

Ode to the Eddy Muffin: Eddy at the Gun Club V, oil on linen, 14 x 16 in., 2025, Leah Wilson

Ode to the Eddy Muffin: Eddy Muffin IV, oil on linen, 14 x 16 in., 2025, Leah Wilson

Ode to the Eddy Muffin: Eddy at the Gun Club IV, oil on linen, 14 x 16 in., 2025, Leah Wilson

Ode to the Eddy Muffin: Eddy at the Gun Club I (framed), synthetic paper, applique pins, acrylic, 15.5 x 15.5 in., 2023
Ode to the Eddy Muffin: Eddy at the Gun Club I (framed), synthetic paper, appliqué pins, & acrylic, 15.5 x 15.5 in., 2023, Leah Wilson
Ode to the Eddy Muffin: Eddy at the Gun Club I, synthetic paper, applique pins, acrylic, 8.5 x 8.5 in., 2023
Ode to the Eddy Muffin: Eddy at the Gun Club I, synthetic paper, appliqué pins, & acrylic, 8.5 x 8.5 in., 2023, Leah Wilson
Ode to the Eddy Muffin: Eddy at the Gun Club II (framed), synthetic paper, applique pins, acrylic, 15.5 x 24in., 2023
Ode to the Eddy Muffin: Eddy at the Gun Club II, synthetic paper, appliqué pins, & acrylic, 15.5 x 24 in., 2023, Leah Wilson
Ode to the Eddy Muffin: Eddy at the Gun Club II, synthetic paper, applique pins, acrylic, 8.5 x 17 in., 2023
Ode to the Eddy Muffin: Eddy at the Gun Club II, synthetic paper, appliqué pins, & acrylic, 8.5 x 17 in., 2023, Leah Wilson
Ode to the Eddy Muffin: Eddy at the Gun Club III (framed), synthetic paper, applique pins, acrylic, 22 x 33 in., 2024
Ode to the Eddy Muffin: Eddy at the Gun Club III (Framed), synthetic paper, appliqué pins, & acrylic, 29 x 40 in., 2024, Leah Wilson
Ode to the Eddy Muffin: Eddy at the Gun Club 3, synthetic paper, applique pins, acrylic, 22 x 33 in., 2024
Ode to the Eddy Muffin: Eddy at the Gun Club III, synthetic paper, appliqué pins, & acrylic, 22 x 33 in., 2024, Leah Wilson

Ghost of JC Boyle

JC Boyle is not a ghost yet, but it will be soon. It’s a large, complicated concrete and metal monument of human engineering and hubris. It divides, holds back, and diverts flow, and passage. This relic of 1958 will finally be coming down.

Dams like these are disorienting. They disrupt the river so it no longer acts as a river does. This one is almost obsolete.

Its removal will cause disruption for some individuals and communities. Places they know will no longer exist. Markers of memories will change shape. Rhythms and patterns will change. This is another form of disorientation. It can be traumatic when a place, naturally formed or engineered – it matters not, quickly shape shifts.

I am impatient to see the change.

Yet, I still feel some twinges of resistance because I too have memories here, held by this dam.

Ghost of JC Boyle 1, charcoal on paper
Ghost of JC Boyle, charcoal on paper, 22 1/2 x 30 in., 2023, Leah Wilson

Writing

Ode to the Eddy Muffin Paintings

Ode to the Eddy Muffin Paintings

In July I finally finished these two little eddy muffin paintings. I had started them last fall but they were put on pause while I focused my attention on the marathon predawn painting sessions of Bloom to meet the deadline. These paintings, the fourth and fifth pieces of art in the Ode to the Eddy Muffin series, but the first two paintings, were made to look slowly...

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Color Notes – Lapis Lazuli

Color Notes – Lapis Lazuli

Have I mentioned I recently started making my paints? It’s a slow meditative process, and I am developing a sensitivity to the personality of each pigment and learning their fascinating histories. Especially after writing what I did above about the powerful combination of learning information and experiential knowledge at Newberry Volcano, essentially the way I move...

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It Just Might be Marvelous

It Just Might be Marvelous

The gun club and the eddy are two places I wouldn’t enter without good reason, and together, they have a darkly seductive draw. I have entered the gun club twice because that’s where the eddy is accessed. My first visit to the eddy was punctuated by the sound of gunshots. The second was snow-covered and silent.

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Relationships

Relationships

This beginning on a cold dusky evening was so near to the last place I floated the Klamath River years ago when I was teaching kayaking. This beginning met the previous end, picking up the dropped thread and beginning to weave a new pattern. That night we slept in our tents next to the river, listening to foxes screaming in the night.

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Art and Science on the Klamath River

Art and Science on the Klamath River

An introduction to my Klamath River Project: What interests me more than knowledge and answers that science provides are the questions we each ask, why we ask them, and the ways we go about trying to find answers. Within the questions, I have found many points of convergence between art and science, primarily in process. My goal with this project is not to explain or illustrate science with my art. Doing so would keep the science contained within the realm of the intellect. Rather my aspiration is to ask better questions so I can know the river, as well as I can, to see and experience it from different perspectives, and to create artwork alongside science that may provide a shift of perception or a doorway that opens to awe and wonder.

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Movement

Movement

Dams fascinate me. We build large walls to hold the water back. We try to tame the water so we can control how much and when it flows. This contradicts the nature of water which is to constantly flow. Dams make me uneasy.

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Thank you for your support!

Support for the ongoing research of this project is from Dr. Jerri Bartholomew, director of Oregon State University’s John L. Freyer Aquatic Animal Health Laboratory, and Assistant Professor) Senior Research) Julie Alexander.

Shifting Resonance: Klamath River is being created with the generous funding from the Oregon Arts Commission, the Ford Family Foundation, and Oregon Sea Grant.

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Portfolio

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