Time & Ritual

Time & Ritual

I am devoted to the process of integrating specific systems into my projects. Each discrete system builds upon the previous and my empirical knowledge grows alongside the more intangible knowledge. This is the space where systematic processes transform into rituals that may perhaps be spiritual in nature. The resulting wonder gleaned from the ritualistic performance of the system’s procedures feeds a part of my human spirit that systematic research for empirical knowledge alone does not provide – There is an additional intention embedded within the system.

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Ritual

Ritual

How can my process of meaning making be distinguished from the ordinary process of making? Ritual? Can I accept that? I turn away from ritual now mostly from habit. It echos a repetition of actions that are done so many times they lose their meaning. I question those assertions and assumptions, reactions that have become automatic to almost become the ritual that I habitually reject.

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Vulnerable Reciprocity

Vulnerable Reciprocity

I struggle with seeing how I personally cultivate a reciprocal relationship with the land. Every personal relationship to the land is different and every place also presents different relationships and connections. Reflection brought some clarification.

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A Relationship of Abundance

A Relationship of Abundance

What would happen if fear and guilt is dropped from conversations about the environment? What would it feel like to think of ourselves as part of nature rather than something separate that we need to fix? What if the land is internalized so that we are in fact, healing ourselves? What if we change perspective to be in relationship with the earth?

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Meaning in Negative Space

Meaning in Negative Space

Perception has a bias for objects. Objects contain information about the world and our surroundings: they can be obstacles – you need to know where they are to avoid them when walking across a room. Objects can be tools; they can be intriguing, beautiful and fascinating; they can be threatening. They frequently demand attention. We see objects for good reasons.
What is an object without all of the space around it, within it, and through it? Can an object be seen without the space? Can we understand something more complexly by switching focus on the spaces that the objects define?

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Slow Looking

Slow Looking

There are things that I have learned from all of the artwork that I have seen over the years. There is artwork that catches my attention immediately. Sometimes I really like it. But soon after I move on and my attention is pointed elsewhere, the artwork dissipates. It is gone from my memory and mind like smoke dissolving in the ether.
The ones that remain intact do not necessarily demand my attention immediately. Sometimes they are the ones that quietly wait. They do not reveal themselves in a flash, all at once and then fade. They do just the opposite: they build slowly.

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River Blues

River Blues

Every river has a unique color palette, and they all fluctuate with the seasons. It’s like the color is a facet of the river’s personality. And now, through satellites and long-term data collection, we can clearly see how the colors are drifting away from their traditional cyclical patterns. The personalities of rivers are changing over time.

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Wonder – Why is the world so beautiful?

Wonder – Why is the world so beautiful?

Wonder Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson An Open Letter to Robin Wall Kimmerer Why is the World So Beautiful? Wonder An Open Letter to Robin Wall Kimmerer: Why is the world so beautiful? Part 3: Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson Penguin Crossing Dear Robin Wall Kimmerer, At the end of his presentation at the Arts/Sciences Convergences at OSU introduction, poet and writer Charles Goodrich asked this question on your behalf: Why is the world so... Read More
Story

Story

Story Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson And Notes for the Art Science Convergences at OSU Panel Discussion Story Part 2: Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson Ambient: October 11, 2014, Between 10:55 AM and 3:42 PM; Watershed 1, Lookout Creek & Watershed 3 Oil on 6 Wood Panels, 25 1/2 in. x 112 in.     Telling you what I do is fairly easy: I make abstract paintings that show chromatic changes in the environment that we can’t easily see or track with... Read More
Patience

Patience

Patience Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson Patience Part 1: Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson 200 Year Log Decomposition Study Patience is at the essence of the log decomposition study at HJ Andrews. Mark Harmon began the study of forest ‘morticulture’ at the Andrews about 30 years ago. It is designed to continue for 200 years. How patient must one be to wait to know that the answer that you are seeking will not be found during your own lifetime?... Read More
Silence

Silence

Silence    “He who does not understand your silence will probably not understand your words.” Elbert Hubbard Silence has been on my mind lately, especially when I am in my studio painting. Without silence there is no music, no prose, no composition. It is only through silence and emptiness that form can emerge. Recently I went to the symphony and I paid careful attention to the silences. They are between the notes, they separate the movements, and they mark the end of a piece. The silence that occurs between the last note, and the first cough and shuffle from the... Read More

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