Dams fascinate me. We build large walls to hold the water back. We try to tame the water so we can control how much and when it flows. This contradicts the nature of water which is to constantly flow. Dams make me uneasy.Read More
Louie is proud of this work at Three Sisters Irrigation District – it is a benefit to wildlife and he wants to spread the story. But there is more to it than that. This is a mutual and reciprocal healing: a story I want to spread.Read More
Environmental problems are not a dichotomy of problems with nature on one side and humans on the other. The dichotomy begins to crumble as soon as the concept of nature is removed. How will our relationship with our ecosystems change and how will our decisions be different if the distinction disintegrates altogether?Read More
The creek has been stretched back in time, erasing not only the human created erosion and damage, but also eliminating any chiseling the creek had done on its own prior to human intervention. It’s like shaking a giant Etch A Sketch until all evidence of previous drawings have been eliminated and the raw material is reset to a flat smooth plane where a new drawing can start to take form.Read More
My relationship with Whychus Creek started tentatively. The milky glacial water was not inviting even though it was a hot day in July. The headwaters on Broken Top are not very far away. The water is cold.Read More
In conjunction with my solo exhibition, Stories Told by Water, Umpqua Valley Arts hosted an artist talk on August 5. In this talk I give context to Stories Told by Water and I introduce work in progress the studio.Read More
This place is defined by water.
I came to Pine Meadow Ranch to listen to stories of the creek on this ranch in Sisters, Oregon. The ranch is idyllic with its unobstructed views of the mountains and Whychus Creek, its milky glacial melt waters originating from Broken Top and all Three Sisters, running through the ranch.
Little, if any land on the ranch is untouched. It is a fully constructed landscape dating back to the 1800s when settlers cleared fields for cattle and began diverting streams to irrigate their ranches. Some of the coveted water rights for this ranch date back to 1895, superseding the water rights of Three Sisters Irrigation District (TSID).
Even if we are wary of beauty and its seductive qualities, it is still very difficult to avoid being seduced. Is there is a bias toward beautiful landscapes regarding scientific research?Read More
This is an ode to water, not as a resource, just as it is, with its own strange and beautiful qualities. It really is strange if you think about it.Read More
My art does not speak directly to environmental crises, environmentalism, or even ecology. There is a lot of art that does and I’m not convinced of the efficacy of much of it to change minds or to offer a new perspective, let alone to initiate action. There is only so much crisis one can take. I know this from experience.
I choose a different approach with my work.
My resistance to the label art-sci leads me to examine why I gravitate toward science with my art. I wanted more magic. Scientists show me how to see the world differently and expanding my mind by helping me see more complexity in the environment. But now, As an artist, instead of burying the magic, I get to draw it out and play with it.Read More
Art grants me certain liberties such as magic and intuition. Perhaps art offers scientists freedom and expansion to contemplate words like this. Expansions flow in both directions. I have gained freedoms and expansions from working with scientists.Read More
What do I learn from climbing a tall old-growth tree many times? What can I glean after sitting in one place from sunrise to sunset every season of the year? It makes me ponder the differences between actively or passively receiving information.Read More
We heard from four ecoartspace artists who shared their ideas and artworks about trees and forests: Marie-Luise Klotz, Christopher Lin, Erika Osborne, Leah Wilson. Leah Wilson told the story of “Listening to the Forest,” her installation created for Oregon State University’s College of Forestry.Read More
Challenging perception is too confrontational for my liking and it implies that I: 1) know the viewers’ worldview and 2) have an agenda to change it. Neither is true.
Instead of a challenge, I see my art as an invitation.