
Home
Today I feel less adrift and more at home. The feeling of home includes the memory of standing in the snow 1,200 miles from here eleven sunrises ago, as well as a month ago. The sunrise gave me roots.
Read MoreToday I feel less adrift and more at home. The feeling of home includes the memory of standing in the snow 1,200 miles from here eleven sunrises ago, as well as a month ago. The sunrise gave me roots.
Read MoreThis beginning on a cold dusky evening was so near to the last place I floated the Klamath River years ago when I was teaching kayaking. This beginning met the previous end, picking up the dropped thread and beginning to weave a new pattern. That night we slept in our tents next to the river, listening to foxes screaming in the night.
Read MoreFebruary 3 – February 25, 2023, at Truckenbrod Gallery in Corvallis, Oregon.
Our relationship with a river determines how it is seen. Depending on our personal experiences, we each see a river through a different lens. In this show, two artists (Wilson and Myers) and a scientist (Bartholomew) share their views of a river through different perspectives.
If I let it, a procedure can become the foundation of a ritual. When a ritual is honored, it has the potential to open a door to the unexpected.
Sunrise is no longer a habit or a routine. This year I have designated it as a project and it is now housed along with my formal projects on my website. It is a ritual.
Emeritus beckons. Time and time again, I’m inexorably drawn to stand within it with my head tipped toward the sky. There’s an unease, a dis-ease, underlying the elegance and grace of the forms. How will you respond?
Read MoreAn introduction to my Klamath River Project: What interests me more than knowledge and answers that science provides are the questions we each ask, why we ask them, and the ways we go about trying to find answers. Within the questions, I have found many points of convergence between art and science, primarily in process. My goal with this project is not to explain or illustrate science with my art. Doing so would keep the science contained within the realm of the intellect. Rather my aspiration is to ask better questions so I can know the river, as well as I can, to see and experience it from different perspectives, and to create artwork alongside science that may provide a shift of perception or a doorway that opens to awe and wonder.
Read MoreDams fascinate me. We build large walls to hold the water back. We try to tame the water so we can control how much and when it flows. This contradicts the nature of water which is to constantly flow. Dams make me uneasy.
Read MoreLouie is proud of this work at Three Sisters Irrigation District – it is a benefit to wildlife and he wants to spread the story. But there is more to it than that. This is a mutual and reciprocal healing: a story I want to spread.
Read MoreEnvironmental problems are not a dichotomy of problems with nature on one side and humans on the other. The dichotomy begins to crumble as soon as the concept of nature is removed. How will our relationship with our ecosystems change and how will our decisions be different if the distinction disintegrates altogether?
Read MoreThe creek has been stretched back in time, erasing not only the human created erosion and damage, but also eliminating any chiseling the creek had done on its own prior to human intervention. It’s like shaking a giant Etch A Sketch until all evidence of previous drawings have been eliminated and the raw material is reset to a flat smooth plane where a new drawing can start to take form.
Read MoreMy relationship with Whychus Creek started tentatively. The milky glacial water was not inviting even though it was a hot day in July. The headwaters on Broken Top are not very far away. The water is cold.
Read MoreIn conjunction with my solo exhibition, Stories Told by Water, Umpqua Valley Arts hosted an artist talk on August 5. In this talk I give context to Stories Told by Water and I introduce work in progress the studio.
Read MoreThis place is defined by water.
I came to Pine Meadow Ranch to listen to stories of the creek on this ranch in Sisters, Oregon. The ranch is idyllic with its unobstructed views of the mountains and Whychus Creek, its milky glacial melt waters originating from Broken Top and all Three Sisters, running through the ranch.
Little, if any land on the ranch is untouched. It is a fully constructed landscape dating back to the 1800s when settlers cleared fields for cattle and began diverting streams to irrigate their ranches. Some of the coveted water rights for this ranch date back to 1895, superseding the water rights of Three Sisters Irrigation District (TSID).
Even if we are wary of beauty and its seductive qualities, it is still very difficult to avoid being seduced. Is there is a bias toward beautiful landscapes regarding scientific research?
Read MoreThis is an ode to water, not as a resource, just as it is, with its own strange and beautiful qualities. It really is strange if you think about it.
Read More