Isolation

Isolation

I remember a conversation, not so long ago, I had with Kathleen Caprario. We both expressed the isolation we were feeling as artists living in Eugene, with its lack of contemporary art venues and support, and how tired we were of feeling so isolated. Since moving here in 2008, I have frequently questioned whether I should stay here or relocate to a city with a vibrant and thriving contemporary art scene. After our conversation, I did what I usually do: I went back to my studio to make things in isolation. But Kathleen did something different. Last summer she invited some artists she wanted... Read More
Solstices/Equinoxes: Work-In-Progress

Solstices/Equinoxes: Work-In-Progress

Solstices/Equinoxes Work-In-Progress Spring Equinox Solstices/Equinoxes: Spring Equinox, 40 in. x 77 in., Oil on 3 wood panels, 2016 Solstices/Equinoxes Project Overview These are the main questions that I posed for this project: How do the colors of the creek change throughout a day? How does the colors of the creek change over the year? Procedure at the creek On the solstices and equinoxes of one year, I spent the entire day from before sunrise to after sunset at the gauging station of Watershed 2 at HJ Andrews Experimental Forest. Beginning precisely at sunrise, I took a photo of the... Read More
Empathy

Empathy

Empathy Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson Empathy Part 5: Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson Sitting at Watershed 2 Sit in the forest for a day with no agenda. Swim naked in the creek. Sleep under the stars. The only thing that is required is that you pay attention. Take yourself out of your head: It might take a few days. Stay. Speak little, or not at all. Stay until you feel at ease with the silence. Stay until you hear the rustle of something small... Read More
Faith

Faith

Faith Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson Faith Part 4: Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson Lookout Creek on the Winter Solstice I don’t have faith in many things at the moment. This year, so far, has been one of those years to shake most of it out of me. However, I do have faith in one thing. It has never failed me, not even once. I trust that the world is beautiful (although I still haven’t been able to figure out why it is so). My artwork depends on it.... Read More
Wonder – Why is the world so beautiful?

Wonder – Why is the world so beautiful?

Wonder Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson An Open Letter to Robin Wall Kimmerer Why is the World So Beautiful? Wonder An Open Letter to Robin Wall Kimmerer: Why is the world so beautiful? Part 3: Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson Penguin Crossing Dear Robin Wall Kimmerer, At the end of his presentation at the Arts/Sciences Convergences at OSU introduction, poet and writer Charles Goodrich asked this question on your behalf: Why is the world so... Read More
Eye Surgery Haiku

Eye Surgery Haiku

Eye Surgery Haiku Eye Surgery Haiku primary art tool an angry Frankenstein sewn: eye surgery eyelid swollen shut paintbrush can’t find the surface colors become gray eye is open now and the world appears vivid two eyes in concert Older Post: ← Story Newer Post: Wonder - Why is the world so beautiful?... Read More
Story

Story

Story Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson And Notes for the Art Science Convergences at OSU Panel Discussion Story Part 2: Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson Ambient: October 11, 2014, Between 10:55 AM and 3:42 PM; Watershed 1, Lookout Creek & Watershed 3 Oil on 6 Wood Panels, 25 1/2 in. x 112 in.     Telling you what I do is fairly easy: I make abstract paintings that show chromatic changes in the environment that we can’t easily see or track with... Read More
Patience

Patience

Patience Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson Patience Part 1: Responses to the essay Poetry-Science Gratitude Duet by Alison Hawthorne Deming and Frederick J. Swanson 200 Year Log Decomposition Study Patience is at the essence of the log decomposition study at HJ Andrews. Mark Harmon began the study of forest ‘morticulture’ at the Andrews about 30 years ago. It is designed to continue for 200 years. How patient must one be to wait to know that the answer that you are seeking will not be found during your own lifetime?... Read More
Rot Work In Progress – Final Layer

Rot Work In Progress – Final Layer

Work In Progress: ROT Final Layer January 5, 2016 Work In Progress: ROT Final Layer January 5, 2016 The final layer is completed. It’s an odd feeling. I’ve have spent so much time with this project over the past 6 months. As much as I was happily anticipating finishing, I was unprepared to finish gluing the last piece and not moving directly into cutting another layer. I am going to miss the process of   working through this piece. At times it has been tedious, frustrating, maddening, meditative and deeply satisfying. However it is not yet complete. This Sunday I will hang it in... Read More
Progress Report – Rot Midpoint Layer 6

Progress Report – Rot Midpoint Layer 6

Work In Progress: ROT Midpoint Layer 6 October 25, 2015 Work In Progress: ROT Layer 6 (midpoint) October 25, 2015 Layer 6 is still in progress. The paper has not been painted and in some places is not fixed to the piece. Layer 6 in its unfinished form contrasts with the earlier layers to more easily show the building of the layers of the piece. Typically, I’m not too keen on documenting my work in progress. Exposing the awkwardness of  developing piece is something I avoid, usually to protect the uneven growth of the work. I need to provide space for it to safely fail, to have the freedom to... Read More
Rot In Progress Layer 5

Rot In Progress Layer 5

Work In Progress: ROT Layer 5 October 11, 2015 Work In Progress: ROT Layer 5 October 11, 2015 Typically, I’m not too keen on documenting my work in progress. Exposing the awkwardness of  developing piece is something I avoid, usually to protect the uneven growth of the work. I need to provide space for it to safely fail, to have the freedom to hit a dead end and make a U-turn. Already this piece has hit many dead ends. Many iterations died before anything was ever manifested. But, I make an exception for the ROT exhibition at the Art Center in Corvallis. I agreed to blog about it. Waiting... Read More
Rot In Progress Layer 4

Rot In Progress Layer 4

Work In Progress: ROT Layer 4 September 26, 2015 Work In Progress: ROT Layer 4 September 26, 2015 The project has developed its own rhythm. I learn as I go. Each layer becomes more delicate and I hope that my skills with the blade increase with each layer’s intricacies. Image below: Layer 4 Gouache on Paper 17 1/2 in. x 70 in.   Progression of the Work in Progress Untitled Rot: The Afterlife of Trees Rot-Work-In-Progress-Base-Layer-1 Work In Progress: Base Layer Rot-Work-In-Progress-Base-Layer-2 Work In Progress: Base Layer with Gouache Rot-Work-In-Progress-Layer-2 Work In Progress:... Read More

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